{"id":10591,"date":"2026-07-13T08:43:25","date_gmt":"2026-07-13T06:43:25","guid":{"rendered":"https:\/\/iicpraga.esteri.it\/news\/dall_istituto\/2026\/07\/suggestioni-ditalia-dal-neorealismo-al-xxi-secolo\/"},"modified":"2026-07-14T08:51:52","modified_gmt":"2026-07-14T06:51:52","slug":"suggestioni-ditalia-dal-neorealismo-al-xxi-secolo","status":"publish","type":"post","link":"https:\/\/iicpraga.esteri.it\/cs\/news\/dall_istituto\/2026\/07\/suggestioni-ditalia-dal-neorealismo-al-xxi-secolo\/","title":{"rendered":"\u201eItalsk\u00e9 inspirace. Od neorealismu po 21. stolet\u00ed\u201c"},"content":{"rendered":"<p><strong>Dvan\u00e1ct nejv\u00fdznamn\u011bj\u0161\u00edch italsk\u00fdch fotograf\u016f je k vid\u011bn\u00ed v Italsk\u00e9m kulturn\u00edm institutu v Praze<\/strong><\/p>\n<p><em>Praha 14. \u010dervence 2026<\/em>. Od 10 \u010dervence do 20. z\u00e1\u0159\u00ed 2026, <strong>Italsk\u00fd kulturn\u00ed institut v Praze<\/strong> p\u0159edstavuje v\u00fdstavu \u201e<strong>Italsk\u00e9 inspirace<\/strong>\u201c(Suggestioni d\u2019Italia), jej\u00edm\u017e kur\u00e1torem je <strong>Riccardo Passoni<\/strong> a kter\u00e1 je po\u0159\u00e1d\u00e1na ve spolupr\u00e1ci s <strong>Nadac\u00ed tur\u00ednsk\u00fdch muze\u00ed<\/strong> (Fondazione Torino Musei) a pod z\u00e1\u0161titou <strong>Velvyslanectv\u00ed It\u00e1lie<\/strong>.<\/p>\n<p>V\u00fdstava sdru\u017euje 58 fotografi\u00ed po\u0159\u00edzen\u00fdch od obdob\u00ed po druh\u00e9 sv\u011btov\u00e9 v\u00e1lce do po\u010d\u00e1tku 21. stolet\u00ed, kter\u00e9 pat\u0159\u00ed do sb\u00edrek <strong>GAM \u2013 Galleria Civica d\u2019Arte Moderna e Contemporanea di Torino<\/strong> a <strong>Fondazione per l\u2019Arte Moderna e Contemporanea CRT<\/strong>, a nab\u00edz\u00ed putov\u00e1n\u00ed po It\u00e1lii a rozmanit\u00e9 interpretace jej\u00ed krajiny, m\u011bst a soci\u00e1ln\u00edho rozm\u011bru.<\/p>\n<p>V\u00fdstava p\u0159edstavuje d\u00edla <strong>Nina Miglioriho, Gianniho Berenga Gardina, Maria Cresciho, Mimma Jodiceho, Maria Giacomelliho, Franca Fontany, Luigiho Ghirriho, Uga Mulasa, Ferdinanda Scianny, Aurelia Amendoly, Enza Obisa<\/strong> a <strong>Bruny Biamino<\/strong>, hlavn\u00edch p\u0159edstavitel\u016f italsk\u00e9 fotografie, kte\u0159\u00ed rozmanit\u00fdm um\u011bleck\u00fdm vyj\u00e1d\u0159en\u00edm a c\u00edt\u011bn\u00edm p\u0159isp\u011bli k vytvo\u0159en\u00ed obrazu zem\u011b, kter\u00fd je vzd\u00e1len stereotyp\u016fm a tradici oslavn\u00fdch pohled\u016f.<\/p>\n<p>Fotografie, \u010dernob\u00edl\u00e9 i barevn\u00e9, doprov\u00e1zej\u00ed n\u00e1v\u0161t\u011bvn\u00edka na cest\u011b od alpsk\u00e9ho oblouku p\u0159es Mil\u00e1n a n\u00ed\u017einy regionu Emilia a\u017e do ji\u017en\u00ed It\u00e1lie, do Neapole, Matery a na Sic\u00edlii. P\u0159\u00edrodn\u00ed krajina, m\u011bstsk\u00e9 kontexty, p\u0159edm\u011bst\u00ed, m\u00edsta pam\u011bti a dokonce i tzv. ne-m\u00edsta tvo\u0159\u00ed vizu\u00e1ln\u00ed geografii, kter\u00e1 zprost\u0159edkov\u00e1v\u00e1 autentickou It\u00e1lii, vid\u011bnou antir\u00e9torick\u00fdm pohledem, schopn\u00fdm p\u0159ekonat pohlednicov\u00fd a monument\u00e1ln\u00ed obraz zem\u011b.<\/p>\n<p>Od prvn\u00edch neorealistick\u00fdch report\u00e1\u017e\u00ed a\u017e po nejp\u0159\u00edsn\u011bj\u0161\u00ed form\u00e1ln\u00ed v\u00fdzkum sleduje v\u00fdstava v\u00edce ne\u017e pades\u00e1t let italsk\u00e9 fotografie a navazuje dialog mezi r\u016fzn\u00fdmi zp\u016fsoby pozorov\u00e1n\u00ed \u00fazem\u00ed a interpretace jeho prom\u011bny. Vznik\u00e1 tak vypr\u00e1v\u011bn\u00ed, v n\u011bm\u017e krajina vystupuje sou\u010dasn\u011b jako historick\u00fd dokument, kulturn\u00ed konstrukt i prostor jazykov\u00e9ho experimentu a v n\u011bm\u017e se v neust\u00e1l\u00e9m st\u0159\u00edd\u00e1n\u00ed atmosf\u00e9r, autorsk\u00fdch p\u0159\u00edstup\u016f a perspektiv otev\u00edr\u00e1 \u0161irok\u00e1 \u0161k\u00e1la pohled\u016f na It\u00e1lii.<\/p>\n<p>Jak zd\u016fraznila \u0159editelka IKI <strong>Marialuisa Pappalardo<\/strong> na vernis\u00e1\u017ei, kter\u00e1 se konala za p\u0159\u00edtomnosti italsk\u00e9ho velvyslance <strong>Alessandra Gaudiana<\/strong>, kur\u00e1tora Riccarda Passoniho, <strong>Angely Benotto<\/strong> z Nadace tur\u00ednsk\u00fdch muze\u00ed a mnoha host\u016f, projektem \u201eItalsk\u00e9 inspirace\u201c zahajuje institut d\u016fle\u017eitou spolupr\u00e1ci s Nadac\u00ed tur\u00ednsk\u00fdch muze\u00ed. V p\u0159\u00ed\u0161t\u00edch dvou letech povede tato spolupr\u00e1ce k vytvo\u0159en\u00ed a prezentaci nov\u00fdch v\u00fdstavn\u00edch projekt\u016f mezin\u00e1rodn\u00edho v\u00fdznamu v Praze.<\/p>\n<p>V\u00fdstava bude pro ve\u0159ejnost otev\u0159ena s voln\u00fdm vstupem do 20. z\u00e1\u0159\u00ed, a to od \u00fater\u00fd do soboty od 11:00 do 19:00.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"Dvan\u00e1ct nejv\u00fdznamn\u011bj\u0161\u00edch italsk\u00fdch fotograf\u016f je k vid\u011bn\u00ed v Italsk\u00e9m kulturn\u00edm institutu v Praze Praha 14. \u010dervence 2026. Od 10 \u010dervence do 20. z\u00e1\u0159\u00ed 2026, Italsk\u00fd kulturn\u00ed institut v Praze p\u0159edstavuje v\u00fdstavu \u201eItalsk\u00e9 inspirace\u201c(Suggestioni d\u2019Italia), jej\u00edm\u017e kur\u00e1torem je Riccardo Passoni a kter\u00e1 je po\u0159\u00e1d\u00e1na ve spolupr\u00e1ci s Nadac\u00ed tur\u00ednsk\u00fdch muze\u00ed (Fondazione Torino Musei) a pod z\u00e1\u0161titou [&hellip;]","protected":false},"author":3,"featured_media":10573,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"tags":[18],"class_list":["post-10591","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","tag-diplomazia-culturale"],"_links":{"self":[{"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/posts\/10591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/comments?post=10591"}],"version-history":[{"count":1,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/posts\/10591\/revisions"}],"predecessor-version":[{"id":10592,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/posts\/10591\/revisions\/10592"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/media\/10573"}],"wp:attachment":[{"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/media?parent=10591"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/tags?post=10591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}