{"id":11534,"date":"2026-10-30T12:19:56","date_gmt":"2026-10-30T11:19:56","guid":{"rendered":"https:\/\/iicpraga.esteri.it\/news\/dall_istituto\/2026\/10\/con-giulio-mozzi-si-conclude-in-repubblica-ceca-la-settimana-della-lingua-italiana-nel-mondo\/"},"modified":"2026-10-30T12:36:33","modified_gmt":"2026-10-30T11:36:33","slug":"con-giulio-mozzi-si-conclude-in-repubblica-ceca-la-settimana-della-lingua-italiana-nel-mondo","status":"publish","type":"post","link":"https:\/\/iicpraga.esteri.it\/cs\/news\/dall_istituto\/2026\/10\/con-giulio-mozzi-si-conclude-in-repubblica-ceca-la-settimana-della-lingua-italiana-nel-mondo\/","title":{"rendered":"Giulio Mozzi uzav\u00edr\u00e1 \u201eT\u00fdden italsk\u00e9ho jazyka ve sv\u011bt\u011b\u201c v \u010cesk\u00e9 republice"},"content":{"rendered":"<p><em>Praha, 30. \u0159\u00edjna 2026.<\/em> Od nov\u00e9ho pohledu na klasick\u00e1 d\u00edla a\u017e po nejnov\u011bj\u0161\u00ed projevy sou\u010dasn\u00e9 pr\u00f3zy \u2013 takovou cestu p\u0159ipravil Italsk\u00fd kulturn\u00ed institut v Praze u p\u0159\u00edle\u017eitosti 26. ro\u010dn\u00edku T\u00fddne italsk\u00e9ho jazyka ve sv\u011bt\u011b, v jeho\u017e r\u00e1mci se uskute\u010dnila s\u00e9rie setk\u00e1n\u00ed v\u011bnovan\u00fdch bohatstv\u00ed a tv\u016fr\u010d\u00edmu potenci\u00e1lu italsk\u00e9ho jazyka.<\/p>\n<p>Program vyvrcholil ve \u010dtvrtek 22. \u0159\u00edjna v brn\u011bnsk\u00e9m knihkupectv\u00ed Barvi\u010d a Novotn\u00fd setk\u00e1n\u00edm se spisovatelem <strong>Giuliem Mozzim<\/strong>, kter\u00fd spole\u010dn\u011b s <strong>Alic\u00ed Flemrovou<\/strong> p\u0159edstavil \u010desk\u00fd p\u0159eklad rom\u00e1nu <em>Le ripetizioni<\/em> (<em>Opakov\u00e1n\u00ed<\/em>), kter\u00fd Alice Flemrov\u00e1 p\u0159elo\u017eila pro nakladatelstv\u00ed Meridione. Rom\u00e1n <em>Opakov\u00e1n\u00ed<\/em>, kter\u00fd liter\u00e1rn\u00ed kritik Walter Siti ozna\u010dil za proklet\u00e9 d\u00edlo, je v\u00fdraznou knihou, kterou lze jen obt\u00ed\u017en\u011b \u017e\u00e1nrov\u011b za\u0159adit. Jej\u00ed protagonista Mario se pohybuje mezi r\u016fzn\u00fdmi podobami milostn\u00fdch vztah\u016f, mocensk\u00fdmi mechanismy, n\u011bkdy i n\u00e1siln\u00fdmi, a skryt\u00fdmi obsesemi. Rom\u00e1n s ne\u00faprosn\u00fdm, emocion\u00e1ln\u011b odta\u017eit\u00fdm stylem odhaluje nejm\u00e9n\u011b p\u0159iznan\u00e9 str\u00e1nky lidsk\u00e9 psychiky a klade si ot\u00e1zky na t\u00e9ma zlo, pam\u011b\u0165, identita \u010di role t\u011bla.<\/p>\n<p>Kniha, kterou v It\u00e1lii vydalo nakladatelstv\u00ed Marsilio, se v roce 2021 dostala do fin\u00e1lov\u00e9 dvan\u00e1ctky presti\u017en\u00ed liter\u00e1rn\u00ed ceny Premio Strega a z\u00edskala cenu Premio Mondello. Giulio Mozzi je spisovatel, objevitel liter\u00e1rn\u00edch talent\u016f, editor a nakladatelsk\u00fd konzultant. Vydal sedm pov\u00eddkov\u00fdch sb\u00edrek a rom\u00e1n <em>Opakov\u00e1n\u00ed<\/em>, na kter\u00e9m s p\u0159est\u00e1vkami pracoval v\u00edce ne\u017e dvacet let. Je rovn\u011b\u017e autorem \u010dty\u0159 b\u00e1snick\u00fdch sb\u00edrek a \u0159ady publikac\u00ed v\u011bnovan\u00fdch teorii a v\u00fduce tv\u016fr\u010d\u00edho psan\u00ed.<\/p>\n<p>Dne 21. \u0159\u00edjna se Mozzi setkal tak\u00e9 s pra\u017esk\u00fdm publikem v konferen\u010dn\u00edm s\u00e1le Italsk\u00e9ho kulturn\u00edho institutu (IKI). Setk\u00e1n\u00ed uvedli velvyslanec <strong>Alessandro Gaudiano<\/strong>, \u0159editelka IKI <strong>Marialuisa Pappalardo<\/strong> a um\u011bleck\u00fd \u0159editel festivalu pordenonelegge <strong>Gian Mario Villalta<\/strong>. Moder\u00e1torkou ve\u010dera byla Alice Flemrov\u00e1. Z\u00e1v\u011bre\u010dn\u00e9ho slova se ujali p\u0159edseda Nadace Pordenonelegge <strong>Michelangelo Agrusti<\/strong> a viceprezident autonomn\u00ed oblasti Furlansko-Julsk\u00e9 Ben\u00e1tsko a radn\u00ed pro kulturu a sport <strong>Mario Anzil<\/strong>.<\/p>\n<p>Akce, uspo\u0159\u00e1dan\u00e1 ve spolupr\u00e1ci s festivalem pordenonelegge, p\u0159edch\u00e1zela p\u0159edn\u00e1\u0161ka autora na Univerzit\u011b Karlov\u011b v Praze a z\u00e1rove\u0148 symbolicky zavr\u0161ila leto\u0161n\u00ed ro\u010dn\u00edk liter\u00e1rn\u00edho festivalu z Furlanska, kter\u00fd se konal ji\u017e po sedmadvac\u00e1t\u00e9. V r\u00e1mci t\u00e9to iniciativy a ve spolupr\u00e1ci s Italsk\u00fdm kulturn\u00edm institutem obnovil festival pordenonelegge tak\u00e9 partnerstv\u00ed mezi studenty Vy\u0161\u0161\u00ed odborn\u00e9 \u0161koly ITS v Pordenone a studenty \u010desko-italsk\u00e9ho Gymn\u00e1zia \u00dastavn\u00ed v Praze.<\/p>\n<p>T\u00fdden italsk\u00e9ho jazyka zah\u00e1jila 19. \u0159\u00edjna v konferen\u010dn\u00edm s\u00e1le IKI p\u0159edn\u00e1\u0161ka <strong>Alessandra Benassiho<\/strong>, badatele v oboru italsk\u00e9 literatury na Neapolsk\u00e9 univerzit\u011b Suor Orsola Benincasa, s n\u00e1zvem <em>M\u00e9dea, \u010darod\u011bjka a kr\u00e1lovna \u010cech. Ne\u010dekan\u00e1 utopie Ludovica Ariosta<\/em>. Benassi je dr\u017eitelem presti\u017en\u00edho stipendia Josef Dobrovsk\u00fd Fellowship, ud\u011blovan\u00e9ho Akademi\u00ed v\u011bd \u010cesk\u00e9 republiky, a v sou\u010dasnosti p\u016fsob\u00ed jako hostuj\u00edc\u00ed v\u011bdeck\u00fd pracovn\u00edk v \u00dastavu pro \u010deskou literaturu v Praze. Ve sv\u00e9m v\u00fdzkumu se v\u011bnuje \u010desk\u00fdm pramen\u016fm spojen\u00fdm s postavou M\u00e9dey v Ariostov\u00fdch <em>P\u011bti zp\u011bvech<\/em> (<em>Cinque canti<\/em>) a p\u0159\u00edtomnosti \u010desk\u00fdch humanist\u016f v severn\u00ed It\u00e1lii v 16. stolet\u00ed. P\u0159edn\u00e1\u0161ka se zam\u011b\u0159ila na m\u00e9n\u011b zn\u00e1m\u00fd, av\u0161ak mimo\u0159\u00e1dn\u011b v\u00fdznamn\u00fd motiv v tvorb\u011b Ludovica Ariosta: postavu M\u00e9dey v <em>P\u011bti zp\u011bvech<\/em>. Toto d\u00edlo, vznikaj\u00edc\u00ed v letech 1519 a\u017e 1526 jako pokra\u010dov\u00e1n\u00ed <em>Zu\u0159iv\u00e9ho Rolanda<\/em> (<em>Orlando furioso<\/em>), nebylo nikdy zahrnuto do definitivn\u00edho vyd\u00e1n\u00ed eposu. Na rozd\u00edl od harmonie a ironie hlavn\u00edho d\u00edla se <em>P\u011bt zp\u011bv\u016f<\/em> no\u0159\u00ed do mnohem temn\u011bj\u0161\u00ed atmosf\u00e9ry, v n\u00ed\u017e dominuje klam a podvod. Pr\u00e1v\u011b zde Ariosto p\u0159ich\u00e1z\u00ed s p\u0159ekvapiv\u00fdm liter\u00e1rn\u00edm gestem: prom\u011b\u0148uje antickou M\u00e9deu \u2013 tradi\u010dn\u011b zobrazovanou jako nel\u00edtostnou \u010darod\u011bjnici a vra\u017eedkyni vlastn\u00edch d\u011bt\u00ed \u2013 v moudrou a nesmrtelnou panovnici, kter\u00e1 vl\u00e1dne \u010desk\u00e9mu kr\u00e1lovstv\u00ed. Benassi uk\u00e1zal, jak Ariosto propojil antick\u00fd m\u00fdtus s historickou pam\u011bt\u00ed \u010cech a vytvo\u0159il tak pomysln\u00fd most mezi ferrarsk\u00fdm kulturn\u00edm prost\u0159ed\u00edm a srdcem st\u0159edn\u00ed Evropy.<\/p>\n<p>T\u00fdden italsk\u00e9ho jazyka ve sv\u011bt\u011b, kter\u00fd vznikl z iniciativy italsk\u00e9ho Ministerstva zahrani\u010dn\u00edch v\u011bc\u00ed a mezin\u00e1rodn\u00ed spolupr\u00e1ce, je p\u0159ehl\u00eddkou akc\u00ed v\u011bnovan\u00fdch propagaci italsk\u00e9ho jazyka a kultury, kter\u00e9 po\u0159\u00e1daj\u00ed diplomatick\u00e9 a konzul\u00e1rn\u00ed zastupitelsk\u00e9 \u00fa\u0159ady a italsk\u00e9 kulturn\u00ed instituty v zahrani\u010d\u00ed. Leto\u0161n\u00ed ro\u010dn\u00edk se nesl v duchu t\u00e9matu \u201eGeni\u00e1ln\u00ed jazyk: vym\u00fd\u0161let, navrhovat a tvo\u0159it v ital\u0161tin\u011b\u201c.<\/p>\n","protected":false},"excerpt":{"rendered":"Praha, 30. \u0159\u00edjna 2026. Od nov\u00e9ho pohledu na klasick\u00e1 d\u00edla a\u017e po nejnov\u011bj\u0161\u00ed projevy sou\u010dasn\u00e9 pr\u00f3zy \u2013 takovou cestu p\u0159ipravil Italsk\u00fd kulturn\u00ed institut v Praze u p\u0159\u00edle\u017eitosti 26. ro\u010dn\u00edku T\u00fddne italsk\u00e9ho jazyka ve sv\u011bt\u011b, v jeho\u017e r\u00e1mci se uskute\u010dnila s\u00e9rie setk\u00e1n\u00ed v\u011bnovan\u00fdch bohatstv\u00ed a tv\u016fr\u010d\u00edmu potenci\u00e1lu italsk\u00e9ho jazyka. Program vyvrcholil ve \u010dtvrtek 22. \u0159\u00edjna v [&hellip;]","protected":false},"author":3,"featured_media":11528,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"tags":[18],"class_list":["post-11534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","tag-diplomazia-culturale"],"_links":{"self":[{"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/posts\/11534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/comments?post=11534"}],"version-history":[{"count":1,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/posts\/11534\/revisions"}],"predecessor-version":[{"id":11535,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/posts\/11534\/revisions\/11535"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/media\/11528"}],"wp:attachment":[{"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/media?parent=11534"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iicpraga.esteri.it\/cs\/wp-json\/wp\/v2\/tags?post=11534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}